沃伦

战争片其它2016

主演:米卡丽娜·拉巴克斯,阿尔卡迪乌什·雅库比克,沃西尔·沃西尔利克,阿德里安·扎仁巴,伊莎贝拉·库纳,雅采克·布拉茨亚克,玛丽亚·索博辛斯卡,奥列桑德·兹巴拉斯基,佛罗德米尔·普罗塔西尤克,奥维克桑德尔·彻舍洛夫,莱赫·德布里克,罗曼·斯勾勒斯基,扎卡尔杰斯斯·马斯齐因斯基,米哈尔·加多姆斯基,加布里埃拉·穆斯卡拉,托马什·萨普里克

导演:沃伊切赫·斯玛若夫斯基

播放地址

 剧照

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更新时间:2024-05-11 15:50

详细剧情

  生活在Volhynia的波兰女孩Zosia,爱上了一个乌克兰男孩,但是她的父母决定让她嫁给一个波兰鳏夫。不久,二战爆发,局势紧张,身处战乱中的Zosia,为了生存必须竭尽全力

 长篇影评

 1 ) 搬运一个比较全的剧情介绍(英文

有很多细节没大跟上,然后去补了一下课hhhhh,来自Wikipedia,对于一些脸盲的地方有帮助。

The movie tells the story of a young Polish girl, Zosia Głowacka, from Volhynia's a village settled by Ukrainians, Poles and Jews.The story begins shortly before the outbreak of World War II in 1939 with the marriage of Zosia's sister to a Ukrainian. During the wedding, Zosia's father decides that she has to marry an older village administrator and a widower, Maciej Skiba, despite her being deeply in love with a young, local Ukrainian boy, Petro. The local Ukrainian population shows a lot of resentment towards Polish officials, as they favor the Polish minority in Volhynia. Because of that, some Ukrainians carry out terrorist attacks against Polish authorities and Ukrainian collaborators. These attacks are met with severe actions from the Polish government, including closing Orthodox churches and the humiliation of the Ukrainian population. Despite that, some parts of the Ukrainian and Polish populations try to reconcile with each other.

When the war begins, Maciej gets conscripted to the Polish Army to fight against the Germans in the September Campaign. When the campaign is lost, Maciej and other survivors try to return to their homes. On their way back, all members of the group, except Maciej, are captured by local Ukrainians, tortured and killed.

Maciej manages to get to the village thanks to disguising himself as a Ukrainian. The village is in the eastern part of Poland, which gets occupied by the Soviet Union, and communist rule is established in the village. The local Ukrainian and Jewish populations co-operate with the Soviet authorities, replacing prewar Polish authorities as governors.

In the meantime, Zosia gets pregnant, most likely by Petro, but wants Maciej to believe that the child is his. As a part of a massive deportation of the Polish population carried out by the Soviets in 1939–1941, Zosia, Maciej and his children, are about to be sent to Siberia or Kazakhstan to do forced labour. Zosia and the children are rescued in the last moment, just as the train is about to depart. Petro bribes the guard with vodka. When they come back to Petro's home, Zosia gets contractions. While she is giving birth to her child, the guard arrives and kills Petro. Zosia then takes care of Maciej's home and children during his absence. The children are sent to a school organized by the Soviets.

The plot then switches to 1941, when the German Army is conquering Volhynia during Operation Barbarossa. The Germans begin to kill the local Jews and organize local police units from Ukrainian collaborators, who actively participate in the Holocaust. However, Zosia and other Ukrainians still try to help the Jews by hiding them in safe places.

In the meantime, Maciej comes back home after he manages to escape deportation. The family tries to organize its life in the changed reality, as the Poles face increased hostility from their Ukrainian neighbours, resulting in an increase of murders of Poles committed by the latter. One day Maciej sets out to the local market despite Zosia's protests motivated by her fearing for his safety. She is proven right, as the other Polish neighbours arrive some days later with Maciej's head cut off.

Zosia tries to get by the best she can while she takes care of the children. However, one day, she defends herself against an attempted rape by a Ukrainian policeman, and the presence of the Jews hidden by her is revealed. The Jews, an old couple and a young unrelated boy, escape and find shelter for the winter in the home of a local Ukrainian, who agrees to help after the Jew promises him a large amount of money. When the Jew's wife dies and winter comes, the Ukrainian demands a payment. When he asees that the Jew cannot pay him, he murders him in the forest. The young Jew is rescued by the Ukrainian's son.

In the summer of 1943, news about the killings committed by Ukrainians spreads among the Poles in the village. At the time, a young Polish man who is seriously injured arrives at Zosia's home. When he recovers, he settles there as it makes Zosia feel safer. He contacts the local Home Army unit, which, by orders of the Polish government in the United Kingdom, does not protect the Poles from Ukrainian attacks but prepares to fight the Germans in the future. When the young man is asked to be a guide for members of the Home Army on the way to a meeting with the Ukrainian Insurgent Army (UPA), Zosia desperately tries to discourage him from going. She failed to stop him. When two members of the Home Army arrive at the meeting, as agreed without weapons, they get surrounded by the UPA soldiers, captured, and then dismembered by horses. The men from the UPA then hunt for the rest of the Home Army group. They find only Zosia's friend, who has escaped and is hiding in a church that is full of Poles. During the ceremony, the Ukrainians enter the church, killing everyone in the way, but Zosia's friend. She runs to the church's tower and somehow survives the attack.

In the meantime, the local Ukrainian population, the former Ukrainian policeman and his friends join the UPA in the forest. They gather and call to eradicate the lands from Poles. There are two ceremonies from the Ukrainian Orthodox priests shown: the first one preaching about loving neighbours and the second one calling to kill all Poles to achieve pure Ukrainian lands at last.

Soon, the first survivors of the pogroms arrive to the village and tell the story of Ukrainian neighbours killing Poles and everybody who protested against the killings. The local Ukrainian village administrator arrives at Zosia's home to ensure her that she and her children can stay at home, as they would not be harmed by their Ukrainian neighbours. Also, other Polish people are reassured about their safety. However, those are only deception tactics to allow Ukrainians to kill as many Poles as possible.

The killings in the village begin at night. Zosia escapes with her child, but as she runs away, she sees Poles being tortured, including pregnant women being stabbed in womb, people getting disemboweled and getting their eyes gouged out. Zosia's stepson is murdered during this massacre. Her stepdaughter, however, is rescued by a Ukrainian peasant. On their way to escape from certain death, Zosia and her child arrive to Petro's previous house, where they get rescued by Petro's mother.

As Zosia runs away with her child from place to place, she encounters the corpses of mutilated Polish infants, women and elderly in every village. In one place, she runs into a unit of the German Army, which saves her from certain death, just moments before Ukrainians are about to kill her and her child. The Germans are astonished at first as to why she walks alongside them, but when they find more and more stacks of murdered Poles on their way, they feel sorry for her and escort her to the place where her sister, Helena, lives. She is welcomed there, as Vasyl, Helena's Ukrainian husband, is friendly to Poles. Zosia hides in their shed with her son. As most of the village's population is already involved in killings, Vasyl's brother tries to convince him to join the nationalists and to kill his Polish wife so that he can save himself and the children. As they wrangle, Vasyl kills his own brother with an axe.

The next night, the whole family is attacked by Poles who seek revenge on Ukrainians. They condemn Helena for living with a Ukrainian. They slaughter her newborn in front of her eyes, kill Vasyl and behead her. Zosia observes everything from the shed. Terrified, she escapes again and is now afraid of both Ukrainians and Poles. She hides in the woods with her son. Subsequent scenes show the UPA rushing through the forest, exultantly celebrating while leading a cart occupied by the Poles who killed Helena's family and other Ukrainians, but now disfigured, mauled and visibly tortured as punishment for the retaliatory attacks. A young, blond man with obscured features places Zosia's son on a horse-drawn cart, before approaching Zosia's resting place in the forest. The film then alternates between shots of an unconscious Zosia on a cart, Zosia and her son walking through a German checkpoint at a bridge, before finally settling on an unconscious Zosia lying on the cart, her son sitting at the front of the wagon with the young man, who looks exactly like Petro, making their way through the wide green fields of Volhynia.

 2 ) 可怕的不是曾经发生过,而是之后还会发生

在观影前建议百度“西乌克兰”。影片前半部分对历史背景交代得过于简略,作为外国观众只好自己补课。

17世纪以前这一地区即归属波兰,其中涉及到波兰、俄罗斯和立陶宛公国极其复杂的历史纠葛。其间当地哥萨克部落曾几次联合外方,想要摆脱波兰统治,均未成功。

1772~1795年,波兰被俄普奥三国瓜分,西乌并入俄罗斯。沙皇政府在当地实施去波兰化政策,推行俄语教育和东正教,使得后来一百多年里,这里的乌克兰人口大大增长。但当地乌克兰人主要是农民,波兰人集中在城市和社会上层,仍掌握大部分文化和社会资源。

一战后波兰复国时,波、乌、苏三方因领土争夺,导致苏波战争。战后签订《里加条约》,将包括沃伦在内的西乌领土再次划分给了波兰。波兰政府接管后对当地乌克兰人也实施了强制性的同化政策,因此开头的婚礼上才会出现“乌克兰学校和东正教堂被关”“乌克兰学生需宣誓效忠波兰才能上大学”“乌克兰妇女被迫害”“土地只卖给波兰村长”这类消息。

这些做法当然等于给自己挖坑,但波方也是如鲠在喉。除了乌克兰自身的民族意识强烈,当时中东部乌克兰已并入苏联,苏方借此便利进行渗透,使西乌一直有各种反波活动。39年二战爆发,按苏德协议,苏联出兵占领西乌。这就是女主丈夫从溃败的波军中逃亡,沿路看到东正教神父鼓动乌克兰人拿起武器,清算波兰人,抢走庄园财物的背景。然而苏方灭掉波兰人的目的,是要将整个乌克兰归入苏联,进行集体化改造(丢掉国旗和流放富农的情节)。

很快苏德翻脸,德军东进,占领乌克兰。吃了集体化苦头的乌克兰人决定联德抗苏,寻求独立(犹太人妥妥地被卖了)。但第三帝国认为他们跟波兰人一样,都是需要消灭的“劣等人”。直到斯大林格勒战役后,德军开始败退,波兰人和乌克兰人都希望在战后得到西乌地区,于是血淋淋的互撕开始……一般史实认为乌方先动手,之后波方也有所报复,但伤亡数量以波方为大多数。

二战期间,在中东欧多民族地带,这种一边被纳粹碾压一边自相残杀的情况并不罕见。巴尔干地区当时也出现了塞、克、阿三族之间的血腥仇杀,其阴影和伤痕一直延续到当代。因此比起堆砌大量强烈的感官冲击,如何严肃深入地反思这些历史悲剧,才是这类影片需要面对的问题。

实际在霍布斯鲍姆眼中这个“极端的年代”,再惨绝人寰的场景对人类也难以起到“长记性”的作用。野蛮和残忍原封不动,一次次永恒复归:1948年的印巴;1975年的柬埔寨;1988年的阿塞拜疆;1992年的波黑;1994年的卢旺达;1998年的印尼……人们不但操起砍刀就去剁掉老邻居的脑袋,而且如《杀戮演绎》中所展示的,当事情平息之后,他们回家照常吃饭睡觉,仿佛那些被他们大卸八块的人从来就没存在过。

这种疯狂各有各的来由。像本片这种情况,起因甚至可以追溯到中世纪乃至更远。现代的国族意识阴差阳错,给原有的历史恩怨加了猛料,使已经既成事实的人口混居地区陷入无解的死结。加之某些官方的不当做法:或搞“特殊化”过度偏袒或打压某一方,或强行抹平差异以制造虚假的一团和气,或在出现问题时没有原则地“和稀泥”,结果反而激怒了所有人。

最糟糕的是,防止瘟疫爆发的前景并不乐观。几十年文化多元主义的“政治正确”,使强调族群差异的趋势越来越大于培养认同感,并由此再度出现了冲突的迹象。而大部分在这类问题上持温和态度、主张彼此尊重宽容的人,现在都成了圣母和白左,快没人搭理了。同时现代传媒工具又把传统“教堂舆论”的效率升级了无数倍,只要有一条不知真假的消息被病毒式转发,事态就可能在几小时里急剧恶化。

有时很怀疑,那些嘴炮越来越狠,或认为非怼不可的人,有没有考虑过,在无法避免地必须继续朝夕相处的前提下,把对方说成愚昧无知的异类有什么意义(如果已经定居国外的人这么干,那更是彻底的不负责任)?一旦真的启动互撕模式,为什么被灭的一定是对方而不是己方?有些人一有了点话语权,就把自己的言论和立场看得高于一切,甚至忘乎所以地玩火,觉得反正烧不到自己。还有些人的强硬态度只是为了不让别人说自己怂,等将来有人说你不上就是怂,他们也照样会立刻就上,理智这东西从来就不在他们的脑回路范围内。

所以又回到了原点:在获得了现代文明赋予的自由之后,有些人却只想重复原始社会的观念和行为——党同伐异。因此“巫婆的大锅”总是不会熄火,稍不留神,还会越烧越旺。里面那些充满仇恨的大杂烩,挑动着每个人的“蛮荒本性”,随时可能召唤回一场超乎想象的腥风血雨。

在那样的地狱模式里,善意和勇气都是徒劳的。无论是女主情人出于旧爱救下母子,还是女主对犹太人的怜悯藏匿,都闪现着难得的希望和人性。但当他们自己被一枪爆头、被四处追砍的时候,并没有谁来拯救他们。人们杀掉他们,仿佛踩死一只蚂蚁一样随随便便。没有主角光环,没有开挂,也没有神迹。无数普通人就这样被毫无痕迹地吞没在历史的洪流中,变成一个数字的一部分。多少年后,世人还要为了这个数字到底是几争吵不休。

也包括那些玩火的人——《苏菲的抉择》中写到,波兰战前那些鼓吹反犹的教授,照样被纳粹枪毙在校园墙下。You did it to yourself.没有人能成为仇恨和恶意的玩家,留下的只是吞噬所有人的黑暗深渊。

 3 ) 美女掩盖下的丑陋

看之前完全不知道是什么类型的片子,一部两个半小时的电影抽了半盒黄皖,最后的镜头实在是看的心惊胆战,夹烟的手指都在发抖。不知道人性怎么可以这样丑恶!在这之前还对遍地大长腿、金发、美丽、广袤美丽的农庄田野的东欧各种想象,看完之后就觉得这不是一片化外之地吗?野蛮、愚昧,不知道对比纳粹,侵华日军会怎样?

对东欧的历史一点不通,但是很好奇。电影中的村庄应该是乌波交接的地方吧,本来两族人和平相处,生活也安逸,可是战争释放了仇恨和人本恶,把这美丽的土地化成一片焦土。

现在想想身处和平年代真是幸福了,相比动乱的战争年代哪有人性公平可言,那残酷血腥的画面镜头却是人本身制造的。战争不是欧洲人独有的,我想人类历经几千年的文明发展,这样的战争不计其数,发生在我们这片土地的类似的事情肯定不胜枚举,说近的如南京大屠杀这样的画面就不敢想象,可是中国关于这段历史的电影也不在少数,可是没有一个能有如此深刻的揭露战争可恶的作品。

巴拉巴拉说了没头没脑的,还是希望有了解东欧历史的能给补补脑,网上也没有找到相关的东西。

建议青少年慎观影,镜头太血腥!

求轻喷,处女评。

 4 ) 极端民族主义的思考

读尤瓦尔·赫拉利的《人类简史》,其中对于智人第二次走出非洲后的飞跃式发展,提出了一个有意思假设,他认为智人用语言讲述故事的能力,导致了智人的空前团结。智人懂得了建立一个组织,懂得了运用团队力量的时候,智人就真的成了人。

这个假设是有道理的。想起我上初中的时候,政治课教材上说劳动创造了人,我就一直没搞懂,为什么劳动可以创造人?猴子猩猩等灵长类动物也会劳动啊,甚至也可以使用工具,但为什么就不能成长为人呢。所有的生物难道不是都在为了生存和繁衍在劳动着吗?

语言的进一步精确化,导致了讲故事能力的提升,人类终于迎来快速的发展。

“故事”让大家有了共同相信的东西,导致信仰的产生,开始了原始的宗教,共同的信仰把一群人划归成了一个团体。慢慢的演变成了现代意义的民族,国家,地区,教派等等。

我不觉得判断民族的根本是取决于血统。更多的是一种文化上的认同。例如汉族,就不是讲究血统的,例如“五胡入华”。而且当下的中国,很多少数民族也已经汉化了,例如壮族,除了三月三要放假以外,可能他们大部分人都意识不到自己和汉族的差异了。

百万年来,人类寻找彼此之间的相同点,然后不同的人聚合起来形成团体的本能一直没有改变。小到一个公司,一个班级拉帮结派,大到不同的政党,不同信仰的教派,不同的国家和民族。一旦确定你不是我们这个圈子的,那就要打击报复了,甚至摧毁。

电影《沃伦》中,乌克兰人,波兰人,犹太人,在沃伦这个地区,曾经发生的互相屠杀极其恐惧,据说电影展示的只有真实事件的十分之一。曾经友善的邻居成了魔鬼,可曾想到,几年前还一起在田间并肩劳作的邻居,几年后会用农具插向你的肚子,挖掉你的眼睛,剥掉你的皮肤,用斧子在门槛上砍下你的头颅。

而且比较讽刺的是,乌克兰人波兰人都是属于斯拉夫人。

可以这么说,智人能够在尼安德特人直立人等猿人中脱颖而出,并迅速站到了食物链的顶端。这种寻找共同点聚合成团体的基因,就流淌在我们的血液里了。

在这个自然界,最恐怖的物种不是别人,就是我们智人。

 5 ) 我看《沃伦》。

今天看了《沃伦》。导演是波兰的斯玛佐斯基

这部片子拍摄于2016年。那时候,乌克兰与俄罗斯的战争还没有开始。现在,战争已经持续一年了。很多国家舆论一边倒。这种一边倒的大形势,让这部片子里做的反思变成明日黄花。

讲的是乌克兰与波兰、前苏联、德国、犹太人之间错综复杂的关系以及种族仇杀。没肯定谁,也没否定谁。剧情跌宕,画面惨不忍睹。看完之后,很揪心。得出一个结论:凡是极端民粹,都具备两个特点:1.宣扬自我民zu中心论 2.宣扬自己受委屈最多。政客、庸众,莫不如此。

 6 ) 沃伦·又名Hatred

越往后越恐怖越恶心,真的想🤮。

波兰和乌克兰原来打过那么凶的仗,因为什么,语言不同,还是宗教信仰不同,乌克兰是跟俄国一样东正教,波兰应该是天主教。

没想到被德国占领的时候都只是插曲,后面波兰伦敦政府跟乌克兰国家民族组织谈崩,乌克兰人开始屠杀波兰人的时候我想到了《卢旺达饭店》,不过把更残忍的拍出来了,割人皮,砍头,用马拉把人活活拽成两半,残缺不全的肢体,强碱,把小孩用稻草捆起来然后点火烧死,把婴儿砍杀扔进井里,到处都是血腥的尸体,看的人恶心至极浑身恶寒,配上那个刺耳的bgm,每分每秒都是折磨。

女主Sofia太不容易了,他那个傻呗老公死的有点快,看到的时候人头已经在桶里了,她真牛b,辗转还是活下来了,好不容易找到了姐姐,她姐跟乌克兰人结婚了,对方是真的真爱,杀了自己兄弟也不杀自己老婆,可惜这俩人和他们的孩子都被乌克兰恐怖分子杀了。

每一次女主张大嘴巴惊恐的无声哭泣我都觉得震撼,这里真的就是地狱,丧尸袭击都没这么残酷恐怖,未来到底该怎么办呢,没人知道,能从那个年代活下来的人真tm的牛逼。

想起开头的时候,还是姐姐和乌克兰男孩的美美婚礼,她哭还是因为姐姐要离开家了,当时村里就一个人一直在念叨政治的东西,谁知道越往后竟然愈演愈烈。。当时最先被杀的还是犹太人,Sofia曾经的爱人因为带她回家生产而被枪杀在自家门外,乌克兰人希望德军打过来这样他们就能借势独立,放火烧毁房屋开始成了常态,那个念叨政治的家伙开始有了权力,Sofia从藏难民在家的人变成自己也成了藏在别人家的难民,战争让波兰人和乌克兰人都难逃一死(她姐和姐夫)。

太恐怖了。

 短评

8 历史反复证明 民族混居与信仰冲突的地区积攒的矛盾一旦爆发 后果将是万劫不复的人性深渊;波兰和乌克兰 两个夹杂在德国和野蛮俄狗之间的悲情国家无法摆脱的命运 相比波兰 乌克兰更不走运 今日乌之现状能看做是历史的报复吗;德军:早知道你们斯拉夫人内斗这么狠 干嘛还亲自动手

7分钟前
  • 東郷柏
  • 推荐

4.5 后半段一度干呕,真实的极端影像,足以堪称与《索尔之子》并列的近几年二战题材神作。相比乌克兰土匪,德军真算文明人了。结局玩了一手对脸盲患者不大友好的阴阳两隔套路。

9分钟前
  • 徐若风
  • 推荐

結局只能說是女主自己的想像了,她的倖存不代表她能再“正常”活下去。烏克蘭人當年對波蘭人的無差別虐殺是基本完整呈現在本片當中,每件虐殺過程都是有記錄在案的事實。而女主姐姐一家的遭遇也表示波蘭人的事後報復也清除了最後一丁點烏克蘭少數好人原本的民族共存努力,此片極度令人不適。

11分钟前
  • John Coey
  • 力荐

看的是差不多150分钟的版本(A站还是B站有阉割版本,心理承受能力较弱就去看阉版吧),部分镜头会有不适感,过于真实、残忍,血腥,反人伦。 沃伦大屠杀的遇难人数超过八万。

13分钟前
  • 鹿不鹿
  • 推荐

再现战争残酷的波兰电影,B站和谐版,血腥暴力依旧让我观影中有很多不适感。乌克兰民族对波兰屠杀也是基于极端的种族主义煽动起来的,人比猛兽更加可怕,因为动物之间不会无故自相残杀,反而是身为高智商的人类却有那么多人性的弱点,人类是多么可怕的物种!所有还原战争历史的电影都堪比恐怖片。

14分钟前
  • kiki204629
  • 推荐

抛开剧作层面上的问题,这片子在还原历史方面还是挺震撼的,这位导演对于还原生活或事件的细节一直很严谨,这部电影里的屠杀场面,虽然比不上真实历史,但绝对比我们看过大多数战争片震撼,细节在于杀人场面的花样百出。http://mp.weixin.qq.com/s/N1DZZVlWZwBR

19分钟前
  • 亵渎电影
  • 还行

二战后期乌克兰人对波兰人血腥屠杀,其中还夹杂着苏联人清洗波兰地主、德国人灭绝犹太人、波兰人报复乌克兰人。全片极为血腥极为残忍,可谓惨不忍睹,只有人类才会对同类做出如此可怖勾当。一个强有力的政府可以约束不同种族,防止他们仇杀,一旦政府垮台,种族仇杀就很难避免,南斯拉夫、卢旺达都是这样。

22分钟前
  • 似是故人来
  • 力荐

民族主义者,惨绝人寰的种族清洗罪行,警钟长鸣!

25分钟前
  • 沛。
  • 力荐

切辫切头,火束活人,墙头草夺权,伏特加换命,偷鸡割臂,桶中断头,邻里兄弟相残屠杀,读过你的诗歌亦五马分尸。波兰姑娘在非常时期的三个情人,无解的极端民族矛盾,太恐怖……导演Wojciech Smarzowski最高杰作

26分钟前
  • kylegun
  • 力荐

唯一想说的,是这片子对脸盲症太不友好了😂

29分钟前
  • Ziya
  • 力荐

叙事基本上是彻底失败的,凌乱的剪辑更是雪上加霜。唯一值得称道的就是这个无比凝重的题材,可惜这么拍真是暴殄天物。

32分钟前
  • 猪头妖怪
  • 还行

太惨了,战争阴云与民族主义下的人性黑暗面,屠杀以及各种各样的屠杀和清洗。人性泯灭后究竟会有多么残忍,多么令人反感与厌恶。不忘历史,珍惜和平,或许是不少人看完该片后的最大感受,毕竟战争带给人们的伤痛太大了。“东部的波兰人被屠杀两次,先是被斧子砍,第二次却是死于沉默。”3.6

33分钟前
  • 方枪枪
  • 还行

宁做太平犬,不做乱离人。还能说什么呢?一切坚韧,勇敢,果决,在大历史面前根本不值一提。巨大的轮子碾过,你连粉末都不剩。

34分钟前
  • frozenmoon
  • 还行

还是形式大于内容了吧,不得不说剪辑很混乱,零碎无厘头的镜头,加上女主活不起的表情,让我无数次放弃观看

37分钟前
  • 困难总比办法多
  • 较差

真正的恐怖片

38分钟前
  • 饭团
  • 推荐

曾经好好的民族融合地区由于战争政治民族宣传搞起了无差别大屠杀 比一切恐怖片都真实 满屏幕的血肉模糊 比南京大屠杀更窝心 因为不存在侵略啊!看这种电影哭都哭不出 所以我一直说人类是世界上最残忍最没人性的生物对国人来说的冷门片 大导演残酷再现历史的十分之一

40分钟前
  • 完颜穆尔登格
  • 力荐

不清楚这段历史,但并不怀疑人性如此冷酷、卑劣、丑陋。

45分钟前
  • 朱芳文
  • 力荐

愿世界和平!真的太惨了,人间炼狱,大过节的我为什么要看这么丧的一部电影!

46分钟前
  • 朝阳区陆依萍
  • 推荐

片里的波兰人也是倒了血霉了,熬过了苏联红军,熬过了德国纳粹,以为这下终于结束了,却被乌克兰民族主义者血洗了。最后几十分钟的大屠杀真是得捂着心脏看才行。

48分钟前
  • 陈哈
  • 力荐

很多人把这类悲剧归结为民族、宗教、意识形态等等纷争,事实上问题的根源是无政府状态,没有制约兽性的暴力机构,人类会爆发出最原始的最大的恶...

50分钟前
  • 推荐

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